Linfinito Viaggiare

"Digression is a crucial motif in literary narratives. It features as a key characteristic of fictional works from Cervantes and Sterne, to Proust, Joyce and Calvino. Moving away from a linear narrative and following a path of associations reflects how we think and speak. Yet an author's inability to stick to the point has often been seen to detract from a work of literature, somehow weakening it. This wide-ranging and timely volume seeks to celebrate narrative digressions and move towards a theoretical framework for studying the meanderings of literary texts as a useful and valuable aspect of literature. Essays discussing some of the possibilities for approaching narrative digression from a theoretical perspective are complemented with focused studies of European and American authors. As a whole, the book offers a broad and varied view of textual wanderings.".

Italian scholar, novelist, journalist, and philosopher Claudio Magris is among the most prominent of living European intellectuals. This study is the first comprehensive critical analysis of Magris's corpus for an English-speaking audience and addresses the crucial question of the return to humanism that is moving literature and theory forward..

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Through a close-reading of a corpus of novels featuring young protagonists in their path toward adulthood, the book shows how Bildungsroman impacted the formation of the Egyptian narrative. On a larger scale, the book helps the reader to understand the key role played by the coming of age novel in the definition and perception of modern Arab subjectivity. Exploring the role of Bildungsroman in shaping the canonical Egyptian novel, the book discusses the case of Zaynab by Muhammad Husayn Haykal (1913) as an example of early Arab Bildungsnarrative. It focuses on Latifa Zayyat’s masterpiece The Open Door and the novels of the 90es Generation, offering a gender-based analysis of the Egyptian Bildungsroman. It provides insightful readings about the function of the novel in women’s re-negotiation of social boundaries. The study shows how the stories of youth present universal themes such as the thwarted quest for love, the struggle for personal fulfilment, the desire to achieve a cultural modernity often felt as "other than self". The book is a journey in the Twentieth Century Egyptian Novel, seen through the lens of the transnational form of Bildungsroman. It is a key resource to students and academics interested in Arabic literature, comparative literature and cultural studies..

This book explores how psychoanalysis and architecture can enhance and increase the chances of mental 'containment', while also fostering exchange between inside and outside. The way in which psychoanalysts take care of mental suffering, and the way in which architects and city planners assess the environment, are grounded in a shared concern with the notion of 'dwelling'. It is a matter of fact that dwelling exists in a complex context comprised of both biological need and symbolic function. Psychoanalysis and architecture can work together in both thinking about and designing not only our homes but also the analyst's consulting rooms and, more generally, our therapy places. However, this is possible only if they renounce the current limited and restrictive model of this interaction, and propose one more that is more in harmony with the questions and situations that clients themselves pose..

The texts presented in Proportion Harmonies and Identities (PHI) - Progress(es) - Theories and Practices were compiled with the intent to establish a platform for the presentation, interaction and dissemination of research. It aims also to foster the awareness of and discussion on the topics of Harmony and Proportion with a focus on different progress visions and readings relevant to Architecture, Arts and Humanities, Design, Engineering, Social and Natural Sciences, Technology and their importance and benefits for the community at large. Considering that the idea of progress is a major matrix for development, its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, who seek strategies and policies to accelerate the development process in different contexts..

Going Abroad is a book not only for scholars, academics and students who are interested in different approaches to mobility, but also for non-specialists who wish to explore and understand what lies behind the various forms of travel, tourism and migration that are central to today’s—and no doubt tomorrow’s—globalized world. If you are tempted by emigration, enjoy being a tourist, or just love the adventure of travel, real or imaginary, you can embark on a journey of discovery through time and across the continents to explore and reflect on diverse visions of mobility. The practical problems and the differing states of mind experienced by past and present emigrants to France, Spain, Morocco, Capri, Latin America, Canada and Australia, the impact of immigration on the host communities, and the reactions of turn-of-the-century French immigrants to Britain, offer contrasting and complementary perspectives. Along with the real and symbolic meanings of the apparently mundane act of crossing the Channel, stranger forms of travel are also explored: Filipino sailors who are neither at home nor abroad, backpacking across four continents, the real and the fantasized exotic in nineteenth-century orientalist art, and the sanitized utopias of today’s theme parks. Within an inter-disciplinary and a cross-cultural framework, the book explores the terminology, concepts and methodology of a subject which has become the focus of curricula in many academic courses..

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Who is the mysterious narrator of "Blindly"? Clearly a recluse and a fugitive, but what more of him can we discern? Baffled by the events of his own life, he muses, "When I write, and even now when I think back on it, I hear a kind of buzzing, blathered words that I can barely understand, gnats droning around a table lamp, that I have to continually swat away with my hand, so as not to lose the thread."Claudio Magris, one of Europe's leading authors and cultural philosophers, offers as narrator of "Blindly" a madman. Yes, but a "pazzo lucido, " a lucid madman, a single narrative voice populated by various characters. He is Jorgen Jorgenson, the nineteenth-century adventurer who became king of Iceland but was condemned to forced labor in the Antipodes. He is also Comrade Cippico, a militant anti-communist, imprisoned for years in Tito's gulag on the island Goli Otok. And he is the many partisans, prisoners, sailors, and stowaways who have encountered the perils of travel, war, and adventure. In a shifting choral monologue--part confession, part psychiatric session--a man remembers (invents, falsifies, hides, screams out) his life, a voyage into the nether regions of history, and in particular the twentieth century..

In The Militant Middle Ages Tommaso di Carpegna Falconieri delves into common perceptions of the Middle Ages and how these views shape current political contexts, offering a new lens for scrutinizing contemporary society through its instrumentalization of the medieval past..

Scipio Slataper is one of the most prominent writers from the Italian town of Trieste. Before the onslaught of World War One, Trieste was a unique urban environment and the largest port in the Austro-Hungarian Empire. It was a financially powerful city and a cosmopolitan centre where Slavic, Germanic, and Italian cultures intersected. Much of Slataper's oeuvre is highly influenced by Trieste's cultural complexity and its multi-ethnic environment. Slataper's major literary achievement, My Karst and My City - a fictionalized, lyrical autobiography, translated here in its entirety - offers a unique example of an Italian modernist narrative, one that is influenced both by Slataper's collaboration with the Florentine journal La Voce, and by the Germanic and Scandinavian literature that he absorbed while living in Trieste. My Karst and My City, together with the excerpts from his reflections on Ibsen and other critical essays included here, adds a new voice and a different dimension to our understanding of European modernism..

The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars..

With the expansion of the EU and calls for a European constitution, the question of a common European identity has become increasingly pressing in recent times. However, in the face of diverse national and regional traditions – and the absence of an obvious European cultural imaginary – the forging of a strong sense of European identity proves problematic. This volume brings together case studies of national and regional images from across Europe, which together suggest emerging patterns of identification within contemporary Europe – patterns which may not necessarily amount to a European ‘identity’, but rather to a European ‘mode’ of identification. The chronological structure of the volume demonstrates the increasingly problematic nature of national collective memories and past imaginaries in light of emergent marginal voices and images, and suggests that it is both from beyond and within the national paradigm that new challenges are now reshaping the cultural imaginary of European communities.Focusing on cultural images within film, literature, national narratives and myths, museum exhibitions and architecture, this volume is of interest to a wide variety of disciplines in the humanities, and presents an interdisciplinary approach to questions of cultural memory and identity formation..

Cover -- Half Title -- Title -- Copyright -- Dedication -- CONTENTS -- Preface -- In Don Quixote's Footsteps -- Marionettes in Madrid -- The Bibliophage -- At the "Mentitoio -- A Father, a Son -- Spoon River in Cantabria -- Don Serafin's First Flight -- In London, at School -- The Fortunate Isles -- The Prussian Road to Peace -- The Old Prussia Puts On a Show -- The Wall -- On Lotte's Tomb -- In Freiburg the Day of German Unity Is Remote -- The Dying Forest -- Ludwig's Castles in the Air -- Among the Sorbs of Lusatia -- The Anonymous Viennese -- Schoenberg's Table -- The Rabbi's Dance -- Musical Automatons in Zagreb -- Istrian Spring -- Cici and Ciribiri -- In Bisiacaria -- A Fateful Hyphen -- On the Charles Bridge -- The Country Without a Name -- The Tragedy and the Nightmare -- Poland Turns the Page -- On Raskolnikov's Landing -- The Birch Whistle -- A Hippopotamus in Lund -- The Woodland Cemetery -- The Fjord -- Parish of the North -- Water and Desert -- Is China Near? -- The Borders of Vietnam -- The Great South -- Note -- Translator's Notes.

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This book offers a clear, yet comprehensive overview of the role of robots in our society. It especially focuses on the interaction between humans and robots, and on the social and political aspects of the integration of robots with humans, in their everyday life, both in the private and working sphere alike. Based on the lessons held by the author at “Scuola di Politiche” (transl. School of Political Sciences), this self-contained book mainly addresses an educated, though not-specialist, audience..

This international seminar’s fifth edition, dedicated to the theme Desenho (...) Cidade (...) Corpo, Habitando a Terra (Drawing [...] City [...] Body, Inhabiting the Earth) was held as a joint activity between: this C.I.A.U.D./F.A./U.Lisboa Research Project, the University of São Paulo, represented by the Maria Antônia University Centre, and the Faculty of Architecture and Urbanism of the Federal University of Juiz de Fora. Its objectives were threefold: To discuss how Drawing in/of the City and the elements that identify it (geographical area, inhabitants, natural landscape and/or built landscape; present, desired or memorable facts and data) are represented and identified through the presence and/or action of the body, in the form of gestures, movements, interventions, displacements or permanence. To problematise the association between Drawing and City from the starting point of the perception of the Body, assuming this mediation as a condition for the particular construction of that relationship. To identify the presence of the Body in the Representations/Drawings of the City, submitting this event or phenomenon to analysis, aiming for cognitive production. The contributions will be of interest to artists, academics and professionals in the fields of drawing and the arts, architecture, sociology, philosophy, urbanism and design..