Ghana Must Go

A “buoyant” and “rapturous” debut novel (The Wall Street Journal) about the transformative power of unconditional love Electric, exhilarating, and beautifully crafted, Ghana Must Go introduces the world to Taiye Selasi, a novelist of extraordinary talent. In a sweeping narrative that takes readers from Accra to Lagos to London to New York, it is at once a portrait of a modern family and an exploration of the importance of where we come from to who we are. A renowned surgeon and failed husband, Kweku Sai dies suddenly at dawn outside his home in suburban Accra. The news of his death sends a ripple around the world, bringing together the family he abandoned years before. Moving with great elegance through time and place, Ghana Must Go charts their circuitous journey to one another and, along the way, teaches us that the truths we speak can heal the wounds we hide..

This book is about things that people wonder about. It is about things that happen in our everyday life that are natural things that cannot be changed: The incompleteness that we feel inside and the strong desire to be fulfilled; Our powerful inner strengths, dealing with who you are and trying to get others to accept whom you are. Topics also include understanding what we feel and how we feel and expressing our emotions, the southern ways of life, and the frustrations of envy and jealousy from others when trying to succeed. Experience the ups and downs when life throws you a curve ball, and learn from every situation in life, so that when the same situation occurs again, you know how to deal with it..

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Language and the construction of multiple identities in the Nigerian novel examines the multifaceted relation between people and the various identities they construct for themselves and for others through the context-specific ways they use language. Specifically, this book pays attention to how forms of identities – ethnic, cultural, national and gender – are constructed through the use of language in select novels of Adichie, Atta and Betiang. Employing an interdisciplinary approach, this book draws analytical insights from critical discourse analysis, literary discourse analysis and socio-ethno-linguistic analysis. This approach enables the author to engage with the novels, to illuminate the link between the ways Nigerians use language and the identities they construct. Being a context-driven analysis, this book critically scrutinises literary language beyond stylistic borders by interrogating the micro and macro levels of language use, a core analytical paradigm frequently used by discourse analysts who engage in critical discourse analysis..

This edited collection comprises an original and activist group of contributions on that much maligned figure, the Afropolitan. The contributors do not aim to define or fix the term anew; the reboot is, instead, the beginnings of an activist scholarly agenda in which ‘the Afropolitan’ is reimagined to include the stealthy figure crossing the Mediterranean by boat, and the Somali shopkeeper in a South African township. In their pieces included here, the authors insist on the need to ask questions about the inclusion of such globally mobile Africans in any theorisations of the transnational circuits we call Afropolitan. This collection, from some of the foremost voices on Afropolitanism, invigorates anew the debate, and reboots understandings of who the Afropolitan is, the many places he calls his origin, and the multiple places she comes to call home in the world. The chapters in this book were originally published in the Journal of African Cultural Studies..

This book examines fictional works by women authors who have left their homes in West Africa and now live as members of the diaspora. In recent years a compelling array of critically acclaimed fiction by women in the West African diaspora has shifted the direction of the African novel away from post-colonial themes of nationhood, decolonization and cultural authenticity, and towards explorations of the fluid and shifting constructions of identity in transnational spaces. Drawing on works by Chimamanda Ngozi Adichie, Buchi Emecheta, Ama Ata Aidoo, Sefi Atta, Chika Unigwe and Taiye Selasie, this book interrogates the ways in which African diaspora women’s fiction portrays the realities of otherness, hybridity and marginalized existence of female subjects beyond Africa’s borders. Overall, the book demonstrates that life in the diaspora is an uncharted journey of expanded opportunities along with paradoxical realities of otherness. Providing a vivid and composite portrait of African women’s experiences in the diasporic landscape, this book will be of interest to researchers of migration and diaspora topics, and African, women’s and world literature..

Have you ever wondered why Nigerians are loved and loathed in equal proportions? What is it about Nigeria that makes it so different? Can anything good come out of Nigeria? In Why Nigerians are Different, political economist and writer, Gbenga Badejo presents Nigeria to Nigerians, and to the world. In this book, you will discover: - Why Nigerians are so full of themselves- Why they are ever hopeful about their country- Why Nigerians are remarkably different from their neighbours- Whether there is a Nigerian dream- The 7 wonders of Nigeria Why Nigerians are Different provides the answers to the different questions you have always wanted to ask about Nigeria and its people. The book offers a refreshing, sometimes striking portrait of the Nigerian character by unbuttoning its different layers,and getting under the skin of a nation renowned for its resilience and optimism. If you want to know how Nigerians see themselves, and the rest of the world, this book is for you..

The book brings together experts from Media and Communication Studies with Postcolonial Studies scholars to illustrate how the two fields may challenge and enrich each other. Its essays introduce readers to selected topics including »Media Convergence«, »Transcultural Subjectivity«, »Hegemony«, »Piracy« and »Media History and Colonialism«. Drawing on examples from film, literature, music, TV and the internet, the contributors investigate the transnational dimensions in today's media, engage with local and global media politics and discuss media outlets as economic agents, thus illustrating mechanisms of power in postcolonial and neo-colonial mediascapes..

Citizen and Pariah explores the fragility of law, pluralism and democracy in South Africa by investigating Somali informal shopkeepers’ experiences of crime, justice and regulation in the country. Through a narrative account of their local experiences, the book sheds light on the legal and political predicaments they face..

This is not your ordinary love story. In the second chapter of Genesis, a marriage takes place between a man and a woman that pales in comparison to the hypnotism of modern-day romance. This union bears little semblance to the excessively romanticized 21st century courtship, engagement, and wedding. Their matrimony is solely driven by purpose, a concept typically foreign to the new age of passion-fuelled relationships. Youth speaker and Christian author, Jude Addo, draws upon life-changing experiences during his betrothal that unveil some hard truths about love, relationships, and life in general. This book speaks to the trials and triumphs that come with obeying the voice of God, whilst challenging the status quo on several religious and sociological matters. A man of refreshing candour, Addo, cleverly uses his engagement period as a thrilling backdrop to take the reader on a voyage of spiritual enlightenment..

From the Publisher • The first collection of articles by Sówore, the persecuted, Nigerian- born, U.S.-based human rights activist and journalist, founder of Sahara Reporters – the popular citizen journalism website – and Prisoner of Conscience nominee at the Tom Lantos Human Rights Commission of the United States House of Representatives. He was a candidate for President of Nigeria in 2019, and is currently on trial there charged with treason for speaking truth to power. • Includes his first pieces on a wide range of topics: human rights, freedom of expression, Africa, African politics, corruption in African governments, Nigeria, Nigerian politics, corruption in Nigerian government, African diaspora, African-Americans and continental Africans, immigrant dating, war on terror, hatred of the other, mass poverty, immigrant life, philanthropy, alternative global reality, his experience living in America. • In an increasingly polarized and stratified world, strongman regime becoming the order of the day, racial, economic and social justice once more at the forefront of activism and social discourse, citizen journalism exposing societal ills and injustices, the wide ranging pieces in this collection address these issues and more. From the Back Cover I have always considered the legislation of human rights as an aberration. [. . .] Society becomes very dangerous when any nation develops a “patriotic class” inspired by “construction site ideology”. . . . [C]onsider the source of the history you read. . . . A special class of African elite continues to carry out the agenda of the West. – Omóyelé Sówore From the Introduction [Sówore’s] thoughts and writings transcend not only time, but national boundary, ethnic or political affiliation, race, gender, class, and religion – therein their timelessness and universality. His is not a life of thought and action limited to Nigerian or African matters. He is a humanitarian, courageous, a man of heart and mind, resolute in his commitment to humanity, its empowerment and betterment. Evident in his writings here collected […]. About the Editor Ségun Ògúntólá is a contributing writer to The African magazine. He is the author of the forthcoming novella, Bewitchment – a gripping story of witchcraft, mind-control, sexual exploitation, deception and betrayal, told in a unique and powerful voice, its emotional intensity riveting..

This book advances and broadens the scope of research on conceptual metaphor at the nexus of language and culture by exploring metaphor and figurative language as a characteristic of the many Englishes that have developed in a wide range of geographic, socio-historical and cultural settings around the world. In line with the interdisciplinary breadth of this endeavour, the contributions are grounded in Cognitive (Socio)Linguistics, Conceptual Metaphor Theory, and Cultural Linguistics. Drawing on different research methodologies, including corpus linguistics, elicitation techniques, and interviews, chapters analyse a variety of naturalistic data and text types, such as online language, narratives, political speeches and literary works. Examining both the cultural conceptualisations underlying the use of figurative language and the linguistic-cultural specificity of metaphor and its variation, the studies are presented in contexts of both language contact and second language usage. Adding to the debate on the interplay of universal and culture-specific grounding of conceptual metaphor, Metaphor in Language and Culture across World Englishes advances research in a previously neglected sphere of study in the field of World Englishes..

This handbook provides a critical overview of literature dealing with groups of people or regions that suffer marginalization within Africa. The contributors examine a multiplicity of minority discourses expressed in African literature, including those who are culturally, socially, politically, religiously, economically, and sexually marginalized in literary and artistic creations. Chapters and sections of the book are structured to identify major areas of minority articulation of their condition and strategies deployed against the repression, persecution, oppression, suppression, domination, and tyranny of the majority or dominant group. Bringing together diverse perspectives to give a holistic representation of the African reality, this handbook is an important read for scholars and students of comparative and postcolonial literature and African studies..

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The African World in Dialogue: An Appeal to Action! is a probing and politically timely collection of essays, interviews, speeches, poetry, short stories, and proposals. These rich works illuminate the struggles, dreams, triumphs, impediments, and diversity of the contemporary African world. The African World in Dialogue contains five sections: "Listen: The Ink Speaks"; "Restitutions, Resolutions, Revolutions"; "Africanity, Education, and Technology"; "Life Lines from the Front Lines"; and "Gender, Power, and Infinite Promise." Each section brims with provocative and compelling insights from elder-warriors, wordsmiths, journalists, and academics, many of whom are also activists. The volume's contributors include Tunde Adegbola, Muhammad Ibn Bashir, Jacqueline Bediako, Charlie Braxton, Alieu Bundu, Baba A. O. Buntu, Chinweizu, Ricardo Cortez Cruz, Oyinlola Longe, Jumbe Kweku Lumumba, Morgan Miller, Asiri Odu, Chinwe Ezinna Oriji, Kevin Powell, Blair Marcus Proctor, Ishola Akindele Salami, Aseret Sin, Teresa N. Washington, and Ayoka Wiles. The book also features interviews with Hilary La Force, Mandingo, Kambale Musavili, and Prince Kuma N’dumbe. With selections designed to critique and in many cases upend conventional political thought, educational norms, fantasies of social progress, and gender myths, The African World in Dialogue challenges its audience. The book’s “Appeal to Action” is literal: Rather than offering eloquent elaborations of African world woes, The African World in Dialogue offers detailed plans and paths for emancipation and elevation that readers are urged to implement. Activists and scholars of African studies, African American studies, Pan-Africanism, criminal justice, Black revolutionary thought and action, gender studies, sociology, and political science will find this book to be both inspirational and indispensable..

In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Poku contextualizes the term post-black in its socio-historical and cultural context. Whilst exploring its present legacy and past potential, she examines works by artists who were defined as part of the post-black generation: Mark Bradford, Leslie Hewitt, Mickalene Thomas and Hank Willis Thomas - and, by expanding the scope of the definition, the Black German artist Philip Metz..

The Conspirator is an adventure novel about Mr. Awe. He travelled from Africa to Europe, hoping for a better life in a continent which most of the Africans believed is full of honey and milk, which is like paradise on earth. When he was in Germany, the reverse is the case, about all his expectations. Apart from been an accidental assylum seeker, he also encounter cultural and religions shock which change his life. He realized that this world is a world of conspiracy and without it, many system in this world cannot be operated properly. The Hunter is now been hunted! Mr. Awe realized that his life was in danger between life and death. How can he survive this perils because he is like a Squirell in the middle of the wild Eagle. Does it possible for a day old bird to survive in the middle of wild Eagles of Germany?.