Cryptonomicon

A gripping and page-turning thriller that explores themes of power, information, secrecy and war in the twentieth century. From the author of the three-volume historical epic 'The Baroque Cycle' and Seveneves. In his legendary, sprawling masterpiece, Neal Stephenson hacks into the secret histories of nations and the private obsessions of men, decrypting with dazzling virtuosity the forces that shaped this century. In 1942, Lawrence Pritchard Waterhouse - a mathematical genius and young Captain in the U.S. Navy - is assigned to Detachment 2702, an outfit so secret that only a handful of people know it exists. Some of those people have names like Churchill and Roosevelt. Their mission is to keep the Nazis ignorant of the fact that Allied Intelligence has cracked the enemy's fabled Enigma code. Waterhouse is flung into a cryptographic chess match against his German counterpart - one where every move determines the fate of thousands. In the present day, Waterhouse's crypto-hacker grandson, Randy, is attempting to create a "data haven" in Southeast Asia where encrypted data can be stored and exchanged free of repression and scrutiny. Joining forces with the tough-as-nails Amy, Randy attempts tosecretly salvage a sunken Nazi submarine that holds the key to keeping the dream of a data haven afloat. But their scheme brings to light a massive conspiracy with its roots in Detachment 2702 - and an unbreakable Nazi code called Arethusa. There are two ways this could go: towards unimaginable riches and a future of personal and digital liberty - or towards a totalitarian nightmare... Profound and prophetic, hypnotic and hyperactive, Cryptonomicon is a work of great art, thought and creative daring, the product of a ingenious imagination working with white-hot intensity..

Choice Outstanding Academic Title 2014 Literature after Globalization offers a detailed study of recent literary and theoretical responses to technology, globalization, and national identity. Focusing on texts of the the 1990s and 2000s, particularly novels and other writing by Mark Danielewski, Hari Kunzru, Indra Sinha, and Neal Stephenson, it charts a departure from narratives of globalization which declare the collapse of national cultures, and it considers how national sovereignty has been reinvented and reasserted in the face of technology's transnational effects. Drawing upon recent theoretical responses to technology and culture (including work by Yochai Benkler, Manuel Castells, Gilles Deleuze, Jacques Derrida, N. Katherine Hayles, Paul Virilio, and McKenzie Wark) this book will explore how, in these novels, the notion of an inclusive globalization has been replaced by a sense of national globalism..

We live in a world, according to N. Katherine Hayles, where new languages are constantly emerging, proliferating, and fading into obsolescence. These are languages of our own making: the programming languages written in code for the intelligent machines we call computers. Hayles's latest exploration provides an exciting new way of understanding the relations between code and language and considers how their interactions have affected creative, technological, and artistic practices. My Mother Was a Computer explores how the impact of code on everyday life has become comparable to that of speech and writing: language and code have grown more entangled, the lines that once separated humans from machines, analog from digital, and old technologies from new ones have become blurred. My Mother Was a Computer gives us the tools necessary to make sense of these complex relationships. Hayles argues that we live in an age of intermediation that challenges our ideas about language, subjectivity, literary objects, and textuality. This process of intermediation takes place where digital media interact with cultural practices associated with older media, and here Hayles sharply portrays such interactions: how code differs from speech; how electronic text differs from print; the effects of digital media on the idea of the self; the effects of digitality on printed books; our conceptions of computers as living beings; the possibility that human consciousness itself might be computational; and the subjective cosmology wherein humans see the universe through the lens of their own digital age. We are the children of computers in more than one sense, and no critic has done more than N. Katherine Hayles to explain how these technologies define us and our culture. Heady and provocative, My Mother Was a Computer will be judged as her best work yet..

The term “network” is now applied to everything from the Internet to terrorist-cell systems. But the word’s ubiquity has also made it a cliché, a concept at once recognizable yet hard to explain. Network Aesthetics, in exploring how popular culture mediates our experience with interconnected life, reveals the network’s role as a way for people to construct and manage their world—and their view of themselves. Each chapter considers how popular media and artistic forms make sense of decentralized network metaphors and infrastructures. Patrick Jagoda first examines narratives from the 1990s and 2000s, including the novel Underworld, the film Syriana, and the television series The Wire, all of which play with network forms to promote reflection on domestic crisis and imperial decline in contemporary America. Jagoda then looks at digital media that are interactive, nonlinear, and dependent on connected audiences to show how recent approaches, such as those in the videogame Journey, open up space for participatory and improvisational thought. Contributing to fields as diverse as literary criticism, digital studies, media theory, and American studies, Network Aesthetics brilliantly demonstrates that, in today’s world, networks are something that can not only be known, but also felt, inhabited, and, crucially, transformed..

Crypto Dictionary is your full reference resource for all things cryptography. Cryptography from A5/0 to ZRTP Expand your mind—and your crypto knowledge—with the ultimate desktop dictionary for all things cryptography. Written by a globally recognized cryptographer for fellow experts and novices to the field alike, Crypto Dictionary is rigorous in its definitions, yet easy to read and laced with humor. You’ll find: A survey of crypto algorithms both widespread and niche, from RSA and DES to the USSR’s GOST cipher Trivia from the history of cryptography, such as the MINERVA backdoor in Crypto AG’s encryption algorithms, which may have let the US read the secret communications of foreign governments An explanation of why the reference to the Blowfish cipher in the TV show 24 makes absolutely no sense Discussions of numerous cryptographic attacks, like the slide attack and biclique attack (and the meaning of a crypto “attack”) Types of cryptographic proofs, such as zero-knowledge proofs of spacetime A polemic against referring to cryptocurrency as “crypto” A look toward the future of cryptography, with discussions of the threat of quantum computing poses to our current cryptosystems and a nod to post-quantum algorithms, such as lattice-based cryptographic schemes Or, flip to any random page and learn something new, interesting, and mind-boggling for fun. Organized alphabetically, with hundreds of incisive entries and illustrations at your fingertips, Crypto Dictionary is the crypto world go-to guide that you’ll always want within reach..

Mathematics has maintained a surprising presence in popular media for over a century. In recent years, the movies Good Will Hunting, A Beautiful Mind, and Stand and Deliver, the stage plays Breaking the Code and Proof, the novella Flatland and the hugely successful television crime series NUMB3RS all weave mathematics prominently into their storylines. Less obvious but pivotal references to the subject appear in the blockbuster TV show Lost, the cult movie The Princess Bride, and even Tolstoy’s War and Peace. In this collection of new essays, contributors consider the role of math in everything from films, baseball, crossword puzzles, fantasy role-playing games, and television shows to science fiction tales, award-winning plays and classic works of literature. Revealing the broad range of intersections between mathematics and mainstream culture, this collection demonstrates that even “mass entertainment” can have a hidden depth..

Tomorrow Through the Past: Neal Stephenson and the Project of Global Modernization is the first collection of scholarly essays dedicated exclusively to this important voice in contemporary American fiction. The collection grew from five essays originally presented at the 2006 XXth Century Literature Conference at the University of Louisville, and the contributors are made up of graduate students, independent scholars, and university professors who hope the collection will aid general readers as well as instructors teaching Stephenson and professionals building the critical response to his work. Reading through the lenses of history and linguistic, cultural, and science fiction studies, the essays in the collection examine each of Stephenson’s novels from The Big U to The Baroque Cycle as well as his long non-fiction work on computer operating systems, In the Beginning … Was the Command Line. Included in this collection is a new interview conducted with Stephenson during the summer of 2006..

The Shape of the Signifier is a critique of recent theory--primarily literary but also cultural and political. Bringing together previously unconnected strands of Michaels's thought--from "Against Theory" to Our America--it anatomizes what's fundamentally at stake when we think of literature in terms of the experience of the reader rather than the intention of the author, and when we substitute the question of who people are for the question of what they believe. With signature virtuosity, Michaels shows how the replacement of ideological difference (we believe different things) with identitarian difference (we speak different languages, we have different bodies and different histories) organizes the thinking of writers from Richard Rorty to Octavia Butler to Samuel Huntington to Kathy Acker. He then examines how this shift produces the narrative logic of texts ranging from Toni Morrison's Beloved to Michael Hardt and Toni Negri's Empire. As with everything Michaels writes, The Shape of the Signifier is sure to leave controversy and debate in its wake..

In this definitive collection of Stephenson's writings, journalism and meditations, the great American polymath puts the 20th Century - mathematics, cryptography, philosophy, currency, and the history of science and technology- under his eclectic and unflinching gaze. One of the most talented and creative authors working today, Neal Stephenson is renowned for his exceptional novels - works colossal in vision and mind-boggling in complexity. Exploring and blending a diversity of topics, including technology, economics, history, science, pop culture, and philosophy, his books are the product of a keen and adventurous intellect. Not surprisingly, Stephenson is regularly asked to contribute articles, lectures, and essays to numerous outlets, from major newspapers and cutting edge magazines to college symposia. This remarkable collection brings together previously published short writings, both fiction and nonfiction as well as a new essay (and an extremely short story) created specifically for this volume. Stephenson ponders a wealth of subjects, from movies and politics to David Foster Wallace and the Midwestern American College Town; video games to classics-based sci-fi; how geekdom has become cool and how science fiction has become mainstream (whether people admit it or not); the future of publishing and the origins of his novels. By turns amusing and profound, critical and celebratory, yet always entertaining, Some Remarks offers a fascinating look into the prismatic mind of this extraordinary writer..

What would it take to hack a human? How exploitable are we? In the cybersecurity industry, professionals know that the weakest component of any system sits between the chair and the keyboard. This book looks to speculative fiction, cyberpunk and the digital humanities to bring a human - and humanistic - perspective to the issue of cybersecurity. It argues that through these stories we are able to predict the future political, cultural, and social realities emerging from technological change. Making the case for a security-minded humanities education, this book examines pressing issues of data security, privacy, social engineering and more, illustrating how the humanities offer the critical, technical, and ethical insights needed to oppose the normalization of surveillance, disinformation, and coercion. Within this counter-cultural approach to technology, this book offers a model of activism to intervene and meaningfully resist government and corporate oversight online. In doing so, it argues for a wider notion of literacy, which includes the ability to write and fight the computer code that shapes our lives..

When most people think of piracy, they think of Bittorrent and The Pirate Bay. These public manifestations of piracy, though, conceal an elite worldwide, underground, organized network of pirate groups who specialize in obtaining media – music, videos, games, and software – before their official sale date and then racing against one another to release the material for free. Warez: The Infrastructure and Aesthetics of Piracy is the first scholarly research book about this underground subculture, which began life in the pre-internet era Bulletin Board Systems and moved to internet File Transfer Protocol servers (“topsites") in the mid- to late-1990s. The “Scene," as it is known, is highly illegal in almost every aspect of its operations. The term “Warez" itself refers to pirated media, a derivative of “software." Taking a deep dive in the documentary evidence produced by the Scene itself, Warez describes the operations and infrastructures an underground culture with its own norms and rules of participation, its own forms of sociality, and its own artistic forms. Even though forms of digital piracy are often framed within ideological terms of equal access to knowledge and culture, Eve uncovers in the Warez Scene a culture of competitive ranking and one-upmanship that is at odds with the often communalist interpretations of piracy. Broad in scope and novel in its approach, Warez is indispensible reading for anyone interested in recent developments in digital culture, access to knowledge and culture, and the infrastructures that support our digital age..

Canary Fever is a collection of reviews about the most significant literatures of the twenty-first century: science fiction, fantasy and horror: the literatures Clute argues should be recognized as the central modes of fantastika in our times. The title refers to the canary in the coal mine, who whiffs gas and dies to save miners; reviewers of fantastika can find themselves in a similar position, though words can only hurt us..

When Apple introduced the iPod in 2001, CEO Steve Jobs declared, "listening to music will never be the same again." He was right on the money. The iPod grabbed attention right away, and by the end of 2005, more than 41 million of them had sold. iPod is the dominant digital music player on the market, and for the first time, Apple gets to feel like Microsoft. iPod steadily evolved through five generations since then, and today the dynasty ranges from a screenless 512-megabyte version that can hold plenty of songs for your gym routine to a 60-gigabyte multimedia jukebox that can spin out an entire season of "Desperate Housewives," along with thousands of color photos and all that colorful music. An iPod is many things to many people, but it can be much more than most people realize. That's where iPod & iTunes: The Missing Manual comes in. Like the device itself, this book is a long-running bestseller, now in its fourth edition. What makes it so popular is the wealth of useful information it brings to anyone who breaks open iPod's distinctive packaging-especially since Apple doesn't supply a manual of its own. Once again, we've updated this guide to fully explain the ins and outs of iPod, including the nano, the shuffle, and all the latest features and uses, such as: The 5th generation Video iPod, which can hold 15,000 songs, 25,000 photos, and 150 hours of videoiTunes 6, where you can buy tunes, subscribe to Podcasts, tune into internet radio, download videos, build playlists, and moreGoing beyond the music to use iPod as an external drive, an eBook, a personal organizer, a GameBoy, and a slide projectorExtreme iPodding with shareware and AppleScripts, using an iPod with external speakers (including the car stereo), accessories, and troubleshooting It's been five years since iPod hit the scene, but, clearly, the evolution has only just begun. iPod & iTunes: The Missing Manual gives you everything you need to evolve with it..

Collecting twenty essays written by distinguished scholars from the United States and Germany, The Holodeck in the Garden offers an informative tour of the complex interrelations between science, technology, and contemporary American literature. Contributors include Michael Berube writing on Colson Whitehead's The Intuitionist; Joseph Conte on William Gibson and Bruce Sterling; David Cowart on Don DeLillo's Cosmopolis; Carl Djerassi on science-in-fiction; N. Katherine Hayles on Neal Stephenson's Cryptonomicon; Ursula Heise on risk and narrative in the contemporary novel; John Johnston on network theory; Brian McHale on Harry Mathews, Kathy Acker, and Gilbert Sorrentino; Joseph Tabbi on William Gaddis; and Curtis White on the "Great American Disaster Machine.".

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In this companion, an international range of contributors examine the cultural formation of cyberpunk from micro-level analyses of example texts to macro-level debates of movements, providing readers with snapshots of cyberpunk culture and also cyberpunk as culture. With technology seamlessly integrated into our lives and our selves, and social systems veering towards globalization and corporatization, cyberpunk has become a ubiquitous cultural formation that dominates our twenty-first century techno-digital landscapes. The Routledge Companion to Cyberpunk Culture traces cyberpunk through its historical developments as a literary science fiction form to its spread into other media such as comics, film, television, and video games. Moreover, seeing cyberpunk as a general cultural practice, the Companion provides insights into photography, music, fashion, and activism. Cyberpunk, as the chapters presented here argue, is integrated with other critical theoretical tenets of our times, such as posthumanism, the Anthropocene, animality, and empire. And lastly, cyberpunk is a vehicle that lends itself to the rise of new futurisms, occupying a variety of positions in our regionally diverse reality and thus linking, as much as differentiating, our perspectives on a globalized technoscientific world. With original entries that engage cyberpunk’s diverse ‘angles’ and its proliferation in our life worlds, this critical reference will be of significant interest to humanities students and scholars of media, cultural studies, literature, and beyond..

Expanded into two volumes, the Second Edition of Springer’s Encyclopedia of Cryptography and Security brings the latest and most comprehensive coverage of the topic: Definitive information on cryptography and information security from highly regarded researchers Effective tool for professionals in many fields and researchers of all levels Extensive resource with more than 700 contributions in Second Edition 5643 references, more than twice the number of references that appear in the First Edition With over 300 new entries, appearing in an A-Z format, the Encyclopedia of Cryptography and Security provides easy, intuitive access to information on all aspects of cryptography and security. As a critical enhancement to the First Edition’s base of 464 entries, the information in the Encyclopedia is relevant for researchers and professionals alike. Topics for this comprehensive reference were elected, written, and peer-reviewed by a pool of distinguished researchers in the field. The Second Edition’s editorial board now includes 34 scholars, which was expanded from 18 members in the First Edition. Representing the work of researchers from over 30 countries, the Encyclopedia is broad in scope, covering everything from authentication and identification to quantum cryptography and web security. The text’s practical style is instructional, yet fosters investigation. Each area presents concepts, designs, and specific implementations. The highly-structured essays in this work include synonyms, a definition and discussion of the topic, bibliographies, and links to related literature. Extensive cross-references to other entries within the Encyclopedia support efficient, user-friendly searches for immediate access to relevant information. Key concepts presented in the Encyclopedia of Cryptography and Security include: Authentication and identification; Block ciphers and stream ciphers; Computational issues; Copy protection; Cryptanalysis and security; Cryptographic protocols; Electronic payment and digital certificates; Elliptic curve cryptography; Factorization algorithms and primality tests; Hash functions and MACs; Historical systems; Identity-based cryptography; Implementation aspects for smart cards and standards; Key management; Multiparty computations like voting schemes; Public key cryptography; Quantum cryptography; Secret sharing schemes; Sequences; Web Security. Topics covered: Data Structures, Cryptography and Information Theory; Data Encryption; Coding and Information Theory; Appl.Mathematics/Computational Methods of Engineering; Applications of Mathematics; Complexity. This authoritative reference will be published in two formats: print and online. The online edition features hyperlinks to cross-references, in addition to significant research..