Again Dangerous Visions

A Hugo Award–winning anthology with stories by Ursula K. Le Guin, Kurt Vonnegut, Dean Koontz, Thomas Disch, Ben Bova, and many more. Over the course of his legendary career, Harlan Ellison has defied—and sometimes defined—modern fantasy literature, all while refusing to allow any genre to claim him. A Grand Master of the Science Fiction Writers of America, winner of the Lifetime Achievement Award from the Horror Writers Association as well as winner of countless awards, including the Hugo, Nebula, Edgar Allan Poe, and Bram Stoker, Ellison is as unpredictable as he is unique, irrepressible as he is infuriating. Again, Dangerous Visions is the classic companion to the most essential science fiction anthology ever published, and includes forty‐six original stories edited and with introductions by Harlan Ellison, featuring John Heidenry, Ross Rocklynne, Ursula K. Le Guin, Andrew J. Offutt, Gene Wolfe, Ray Nelson, Ray Bradbury, Chad Oliver, Edward Bryant, Kate Wilhelm, James B. Hemesath, Joanna Russ, Kurt Vonnegut, T. L. Sherred, K. M. O’Donnell (Barry N. Malzberg), H. H. Hollis, Bernard Wolfe, David Gerrold, Piers Anthony, Lee Hoffman, Gahan Wilson, Joan Bernott, Gregory Benford, Evelyn Lief, James Sallis, Josephine Saxton, Ken McCullough, David Kerr, Burt K. Filer, Richard Hill, Leonard Tushnet, Ben Bova, Dean Koontz, James Blish and Judith Ann Lawrence, A. Parra (y Figueredo), Thomas M. Disch, Richard A. Lupoff, M. John Harrison, Robin Scott, Andrew Weiner, Terry Carr, and James Tiptree Jr..

Again, Dangerous Visions: Essays in Cultural Materialism brings together twenty-six essays charting the development of Andrew Milner’s distinctively Orwellian version of cultural materialism..

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Forty-six stories that blend mystery and intrigue provide an adventurous journey into the world of science fiction.

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Anthologies seldom make history, but Dangerous Visions is a grand exception. Harlan Ellison's 1967 collection of science fiction stories set an almost impossibly high standard, as more than a half dozen of its stories won major awards - not surpising with a contributor list that reads like a who's who of 20th-century SF: Samuel R. Delany, Philip K. Dick, Brian Aldiss, Roger Zelazny, Philip José Farmer, Fritz Leiber, Larry Niven and Robert Silverberg. Unavailable for 15 years, this huge anthology now returns to print, as relevant now as when it was first published..

Kurt Vonnegut, Ray Bradbury, Piers Anthony, and John Heidenry are among the authors of experimental and various stories in the furthest reaches of the mind, time, and space.

Much has been written about the “long Sixties,” the era of the late 1950s through the early 1970s. It was a period of major social change, most graphically illustrated by the emergence of liberatory and resistance movements focused on inequalities of class, race, gender, sexuality, and beyond, whose challenge represented a major shock to the political and social status quo. With its focus on speculation, alternate worlds and the future, science fiction became an ideal vessel for this upsurge of radical protest. Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985 details, celebrates, and evaluates how science fiction novels and authors depicted, interacted with, and were inspired by these cultural and political movements in America and Great Britain. It starts with progressive authors who rose to prominence in the conservative 1950s, challenging the so-called Golden Age of science fiction and its linear narratives of technological breakthroughs and space-conquering male heroes. The book then moves through the 1960s, when writers, including those in what has been termed the New Wave, shattered existing writing conventions and incorporated contemporary themes such as modern mass media culture, corporate control, growing state surveillance, the Vietnam War, and rising currents of counterculture, ecological awareness, feminism, sexual liberation, and Black Power. The 1970s, when the genre reflected the end of various dreams of the long Sixties and the faltering of the postwar boom, is also explored along with the first half of the 1980s, which gave rise to new subgenres, such as cyberpunk. Dangerous Visions and New Worlds contains over twenty chapters written by contemporary authors and critics, and hundreds of full-color cover images, including thirteen thematically organised cover selections. New perspectives on key novels and authors, such as Octavia Butler, Ursula K. Le Guin, Philip K. Dick, John Wyndham, Samuel Delany, J.G. Ballard, John Brunner, Judith Merril, Barry Malzberg, Joanna Russ, and many others are presented alongside excavations of topics, works, and writers who have been largely forgotten or undeservedly ignored..

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Ross Rocklynne (1913-1988) was the pen name used by Ross Louis Rocklin, an American science fiction author active in the Golden Age of Science Fiction. Born in 1913 in Ohio, Rocklynne was a regular contributor to the science fiction pulps. He was a professional guest at the first World Science Fiction Convention in 1939. Despite his numerous appearances and solid writing, Rocklynne never quite achieved the fame of his contemporaries Robert A. Heinlein, L. Sprague DeCamp, and Isaac Asimov. His most well known story is probably "The Men and the Mirror," first published in 1938. Rocklynne partially retired from writing in the late 1950s, but made a notable return in the 1970s when his novelette "Ching Witch " was included in Harlan Ellison's original anthology, Again, Dangerous Visions (1972). "Ching Witch " was later nominated for a Nebula award. This volume contains an annotated bibliography of Ross Rocklynne's work. It features an introduction by Arthur Jean Cox, plus an index..

Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index..

Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index..

Counterculture, while commonly used to describe youth-oriented movements during the 1960s, refers to any attempt to challenge or change conventional values and practices or the dominant lifestyles of the day. This fascinating three-volume set explores these movements in America from colonial times to the present in colorful detail. "American Countercultures" is the first reference work to examine the impact of countercultural movements on American social history. It highlights the writings, recordings, and visual works produced by these movements to educate, inspire, and incite action in all eras of the nation's history. A-Z entries provide a wealth of information on personalities, places, events, concepts, beliefs, groups, and practices. The set includes numerous illustrations, a topic finder, primary source documents, a bibliography and a filmography, and an index..

VOLUME 1 IN A STERLING COLLECTION OF STORIES FROM LEGENDARY HARD SCIENCE FICTION MASTER BEN BOVA. Selected stories from Bova's amazing career at the center of science fiction and space advocacy. He is the creator of the New York Times best-selling Grand Tour science fiction series, a six time Hugo award winner, and past president of the National Space Society. Volume #1 of 3 of the very best of Ben Bova, a grand master of science fiction storytelling. These stories span the five decades of Bova's incandescent career. Here are tales of star-faring adventure, peril, and drama. Here are journeys into the mind-bending landscapes of virtual worlds and alternate realities. Here you'll also find stories of humanity's astounding future on Earth, on Mars, and in the Solar System beyondÊstories that always get the science right. And Bova's gathering of deeply realized, totally human characters are the heroic, brave, tricky, sometimes dastardly engineers, astronauts, corporate magnates, politicians, and scientists who will make these futures possibleÊand those who often find that the problems of tomorrow are always linked to human values, and human failings, that are as timeless as the stars. At the publisher's request, this title is sold without DRM (Digital Rights Management). About the award-winning stories and novels of Ben Bova: _Technically accurate and absorbing. . .îÊKirkus _[Bova is] the science fiction author who will have the greatest effect on the world.îÊRay Bradbury _A masterful storytellerîÊVector _Gives a good read while turning your eyes to what might be in the not so distant future, just like Clarke and Asimov used to do so well.îÊSFX About Mars, Inc., by Ben Bova.: _. . .perfectly enjoyable as an SF book (could Bova write anything that wasnt enjoyable?), Mars, Inc. has that torn-from-the-headline vibe thats obviously intended for a larger audience. . . . the bottom line? Mars, Inc. has inspiration, excitement, thrills, romance, a dash of satireÊand is a good, fun read . . . .îÊAnalog "The Hugo winner returns to his most popular subject: the quest for Mars."ÊPublishers Weekly ". . . escapist fantasy for rocket scientists and space engineers, those dreaming of these kinds of missions. Yet Bovas story is rigorously realistic. . . . a fun read showing you do not need car chases or shootouts to deliver a fast-paced and exciting story."ÊDaily News of Galveston County.

New Alabama. A planet that's a fair reproduction of long-lost Dixie, filled with down-home, racist rednecks. The N'Alabamians have carried their tribal prejudices to the farthest reached of the galaxy, like the other minorities expelled from the Earth by the dominant Pan-Semitic Alliance. There's New Transvaal. New Cathay. And New Haiti, a black world where Papa Doc's descendants carry on the old ways. When New Alabama and New Haiti go to war with each other, it's a bloody black-versus-white stalemate. Until the N'Haitians develop a horrific new secret weapon based on a very ancient tradition. Imagine you're a clean-cut N'Alabamian good ol' boy, giving your all up there in the space fleet, and you suddenly realise the enemy crews aren't human at all. They're what people back on Earth used to call Zombies....